Our only real project from a "proper" studio (now closed down, naturally). It was called The Works, one of the tracks from a U2 album ("Pop", maybe) was recorded there, and we got a good deal because Donovan had cancelled a session. Recorded mostly live (with just the vocals overdubbed) to 2-inch tape, we did a LOAD of rehearsal and it's probably the tightest we've ever been. Gillette Man had something like 12 tempo changes in it, and we knocked it out in 2 takes and felt very proud of ourselves. Don't think I really nailed the vocal though, alas
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