PESO

For several years, I have been trying to bring the presentation of my music as close as possible to Sol LeWitt’s wall drawings, or perhaps more specifically, the instructions on how to execute these works. Of course, LeWitt’s instructions are already incredibly close to a musical score, but there is something in the utter clarity, simplicity, and refinement of these instructions that has captivated me for many years. In my most recent work, I have been working with musical matter in a very focused way, mostly examining location recordings, timbre, and pitch.