The various incarnations of Helena Celle see Kay Logan approaching dance music idioms in a free improvisational manner, devising methods of physical interaction with self-built systems that allow for autonomous unconscious expression. Glasgow Decentral forces the influence of Topdown Dialectic, Autechre and jungle through a filter of region-specific uncanniness, splintering into expanses of unrelenting, thought-obliterating fractal rhythms.
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