All positions are partial

Three part composition for DX7, processed percussion and piano. Careful never to remain on one trajectory for long, this work is concerned with multiple viewpoints, circling around itself and perceiving its own activity from shifting positions. The distinctive metallic, glassy FM of the DX7 coalesces with spectrally processed gong, bells, bowls and piano fragments to form shimmering clouds of pulsing tonality and minute timbral modulation intercut with silence and periods of near stasis. Now advancing, now receding – overlap, interruption, cessation.