Lethe

Aldebaran’s music can be described as Post-Cinematic. He mainly uses experimental, classical, traditional and avant-garde elements to create musical soundscapes that always interact with imaginary moving images. This ‘’film-without-the-film’’ music keeps absolute balance between melody, improvisation and minimalism, in order to create strange but atmospheric, short soundtrack pieces. His main instrument, the bass – often disguised and transformed – lurks in the heart and core of most of the music. Delicate programming and sound design is there to showcase the stories told.